Venice: Precious Jewel of the Lagoon

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Elagant e Romantica Venezia

**Before we embark on a wistful gondola ride down Venice’s Grand Canal and take in its scenic marvels; a brief historical backdrop might help us better understand the Venice landscape and the people who settled there.

Cittá Della Laguna

 Venice is located in the marshy Venetian Lagoon   , enclosed by the bay of the Adriatic Sea and sheltered by the Lido (sandbar) and small strips of land; it stretches for more than 200 miles between the mouths of the Po and Piave rivers in Northeastern Italy. (1)

Groups of settlers known as the Veneti people began to inhabit the lagoon as a refuge from Rome’s downfall and its marauding hordes of Germanic and Hun  invaders.  The solidarity of the lagoon and its marshy geography not only propagated safety for its new inhabitants, but opened the door to a lucrative trade route on the Adriatic Sea.  The traditional founding date is believed to be around AD 424 when it’s first church, San Giacomo, was erected, but not until the 10th century did the city of Venice make a significant presence. (1)

By the 13th century Venice had grown to become the most prosperous city in Europe¹ due to its idyllic location, number of sea worthy ships and abundance of able-bodied sailors suitable for trade and exploration within the Byzantine Empire and Muslim world.  So vast the number of ship builders available during its glory days that a ship could be fitted every 24 hours. (4)

Venice soon developed into a Republic and became the major maritime power of the Middle Ages (and source of the “Marco Polo” trade routes). It was essential to the Renaissance period of exploration and the arts while the pivotal platform for the crusades.  It has been said that in its prime, the Venetian Republic had a population of over 200,000 (more than current day) and was unequal in its scope an influence. (1)

However, this Romanesque power building of a wealthy republic was soon challenged by the horrific outbreak of the Bubonic Plague in 1630.  The plague first broke out in China from 1271-1295, killing approximately 2/3 of  its population.  By 1348 it reached the shores of Europe from rats, infected by diseased fleas, that jumped off the merchant ships once anchored in port or carried off in the bags or crates of treasured spices transported from Asia.(1)

It was estimated that 1/3 of the populace in southern Europe were killed at this time.  It was not until 1630 that a second wave of the Bubonic Plague decimated Venice where over 80,000 lost their lives within 17 months.  The horrendous and genocidal numbers of dead souls and the frustration it evoked,  began to crack and weaken the Republic’s resolve.  Eventually it surrendered its sovereignty to Napoleon in 1797, ending over 1010 years of self-rule.(1)

Carnivale  

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Carnivale Extravaganza
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An example of the outlandish masks and costumes worn for Carnivale in Venice

Each year at Carnivale, visitors and locals alike don extravagant costumes and masks during its joyous and decadent celebration prior to the religious observance of lent.  The event originated in the early years of the Renaissance era where even the nobility could hob knob and party with the common folk and not be recognized. This traditional celebration is held each year with Venetians and visitors from around the world taking part.  Masks can be molded to your face and are considered works of art.  Carnivale is often taunted as no cheap thrill.  The amount of money required to attend in style is insane but to those that participate, it’s worth the ticket price. (1)

One  mask in particular, represents the “Doctor”, that brave soul who tried valiantly to help his fellow-man stricken with the plague.  The doctor’s mask was designed to protect him from contracting the disease, and to ease the smell of death, by holding an inhalant of vinegar and herbs in its beak-like aperture.  Alas, it did ward off the smell, somewhat, but not the disease.

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Carnivale “Doctor” Masks.
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Example of a “Doctor’s” mask worn during the Bubonic Plague to ward off the disease.

 

Modern Day

Today the Region of Veneto, specifically Venice, continues its tradition as one of Italy’s most lucrative havens.   In fact, Venice has  frequently been anointed as the most beautiful city in the world and one of the most revered vacation spots on planet earth.  It stands proud and powerful, flush with priceless and awe-inspiring antiquities, romantic edifices and Italian charm.

Interesting enough, this ancient city, stands among 118 small islands separated only by canals and connected by 400 bridges. There are virtually no cars, buses or polluting road vehicles to spoil the hypnotic sounds of the city: its never-ending source of water; churning and splashing from dozens of small boats, gondola’s and water taxi’s dotting the canals,  the enchanting arias wafting from the Gondoliers; or the gentle lapping of waves on its buildings.  In addition, the eerie absence of road and air noise seems to enhance  the excitable voices and racing hearts of its visitors, anticipating the grand spectacles of St. Mark’s square; the enchanting gardens,  art boutiques and displays of the Italian masters;  the magnificent opera houses (Venice built the first opera house in 1637), and the abundance of delicious wines pared with the aromatic and palatable joy of  Italian cuisine!  Love is in the air.  La vita é buona!

Let the Adventure Begin**

Traveling from the Venetian airport, Marco Polo, to our hotel destination, the Canal Grand Hotel, is as simple as riding in a water taxi.  Oh my gosh, this is different:  no cars, no roads to be found, only water ways.  When we arrive at the hotel, the comfort of design and service is impressive.  The Canal Grand Hotel is a gorgeous 4-star private boutique with 17 rooms. It’s just around the corner from the Church of San Simeon Piccolo founded in 967 and currently hosts the popular Tintoretto’s “Last Super” masterpiece.  The hotel also has an idyllic location on the canal boasting ease of connection to all the monuments, and the main reason for my choice of accommodation.

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Church of San Simeon Piccolo founded in 967.
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Tintoretto’s 1594 “Last Supper” Painting.

 

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Canal Grand Boutique Hotel

After settling down in our rooms and dressing for the day, we head for the hotel’s dock.  Here we will be ushered into a private gondola driven by a gondolier.  We shall call our gondolier, Antonio, dressed in the traditional costume of a blue and white striped shirt, woven straw hat with colored band at brim , scarf and waist band to match.

Once aboard, Antonio gently traverses the canal and begins our leisurely journey to awesome.  After a few minutes of conversation he begins to sing the dreamy and chilling Italian melodies of love so traditional on the waterways of Venice’s Grand Canal.

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Hello, Antonio!   Did you know that  Gondoliers in Italy hold icon status, have annual salaries up to $150,000, are highly trained in one of the oldest professions in the world (since around the 1st century), and sing beautifully?
We will be traveling the canal until we arrive at the most popular attraction in Venice (beside water):  St Mark’s Square and the historical edifices clustered about it.  (There is only so much time in a day for touring and we could spend weeks looking at every nook and cranny of the city and surrounding islands, so this post will be confined to St. Mark’s Square. Prior to that, we will be exploring the famous foot bridges spanning the Grand Canal.)

 The Four Bridges 

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Ponte di Rialto is Venice’s oldest and most beautiful crossing; a monumental icon of the city.(1)
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Ponte dei Scalzi was named by monks as “The Bridge of the Barefoot”(1)

 

 

 

 

 

 

 

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Ponte de Calatrava is named after the architect who designed it, Santiago Calatrava.  Controversial from the onset, the newest bridge to traverse the canal is a stark contrast to the ancient glory of its surroundings.(1)
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Ponte dei Accademia got its name from the elegant and famous Accademia galleries at bridge end.(1)

 

 

 

 

 

 

 

 

 

Within thirty minutes of leaving the hotel and marveling at the bridges,  we reached our day’s destination, disembarked from the gondola, let Antonio know when to return for us and became a bit giddy from the thrill of it all.

The following informational gems and stunning videos depict a few of the glorious sights we will see at  St Mark’s Square.   (Please pursue with fun and history in mind.  Hopefully, your interest will be piqued enough to reserve a Venetian vacation of your own.)   Non ve ne pentirete!

 St. Mark (patron saint of Venice) and  The Lion of Venice (symbol of Venice) 

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St Mark the Evangelist, patron saint of Venice. martyred in 68 AD, Mark the Evangelist was said to be one of seventy disciplines set out upon the world to speak the word of Jesus. He started the Church of Alexandria, was to be its first bishop and is acknowledged as the founder of Christianity (1)

 

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The Lion of Venice (also known as The Lion of St. Mark) represents strength and valor, characteristics of St. Mark the Evangelist and patron saint of Venice. It’s located in St. Mark’s square, mounted on one of two granite pillars, and first arrived in Venice in the 12th century. The winged lion was taken by Napoleon in 1797 but returned to the City in 1807. (1)

St Mark’s Square:  St. Mark’s Basilica, the Bell Tower, The Watch Tower and Doge’s Palace

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St Mark’s Square during Acqua Alta flooding in the rain season. Water becomes your friend and part of living on a lagoon. Venetian’s just do what they have to do to cope with this centuries old dilemma.(1)(2)
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Aerial view of St. Mark’s Square (piazza). The piazza lies between the Doge’s Palace on the east and Bibloteca (library) on the west and includes St. Mark’s Basilica, the Watch Tower and the Campenella (bell tower).(1)(2)

St. Mark’s Basilica

It is hard to describe the beauty, historical significance and unbelievable monument that is St. Mark’s Basilica on the square.  This expansive church’s primary function was  to keep safe the artifacts and memory of  St. Mark the Evangelist, the patron saint of Venice,  and to memorialize them in a shrine inimitable to this day.

In 828 Venetian merchants stole the relics of St. Mark (some argue that the bones were really those of Alexander the Great) from their resting place in Alexandria, Egypt. They smuggled them undetected beneath layers of barreled pork to get past the Muslim Guards, under discrete orders and funding from the cunning, Doge Guistiniano Participazio, and return them back to Venice.  Instead of displaying them, the Doge immediately hid St. Mark’s relics in his palace. (1)(2)(4)

Years later, in his will, Guistiniano instructed his wife to honor St. Mark’s relics by constructing a basilica in his name. And so it was done, magnificently. (In medieval times claiming ownership to the bones of a saint was the highest honor given a city and a lucrative source of revenue.) (1)(2)

The intrigue behind the theft of St. Mark’s relics, and many other stories in Venetian history, are painted on the Basilica walls, floors and cupolas.  The perfection and detail of its awe-inspiring art, whether in mosaic tiles, paintings, statues or byzantine style architecture and design; depicts a breathtaking glimpse of history in conflict and opulence centered around the influence of Christendom in Italy and the bounties from the Crusades. (1)

St Mark’s Basilica is the most exquisite example of Byzantine architecture and design in the world.  The pictures below exemplify the grandeur of its body and the spiritually enhanced triumphs by artists and craftsman of the day. (1)(2)(3)

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Entrance into St. Mark’s sanctuary. As you step into the church and sanctuary where St Mark’s bones are laid,  so much gold was used  in its creation that legend proclaims the suspended gold dust combined with the bright sunlight streaming through the large western window will vibrate the atmosphere and help the faithful obtain both spiritual wealth and, provided inhaled deeply, a more worldly enrichment of gilding their lungs.(1)(3)

Guilded Mosaics

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Spectacular gilded mosaics cover a total of 8000 square meters on vaults, statues, walls and ceilings. Most of the mosaics date back to the 12th century and deliver messages proclaiming the message of Christian salvation through the New Testament. (1)(4)

 

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St Mark’s Basilica mosaic floors. The intricate and timeless floors within the Basilica were laid in the 12th century and are composed of a mixture of marble and mosaic, weaved in  geometrical patterns. (1)(4)                                                                                                                                                                        
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Pala d’ Oro or the Golden Pala (golden cloth). By the end of the 12th century when the crusades brought back riches beyond mortal comprehension, did the golden age of Venice mark its presence. But nothing quite matched the Pala d’Oro, laden with nearly 1927 precious jewels, consisting of sapphires, garnets, pearls, emeralds, amethysts, rubies and topaz, and hundreds of pieces of enamel embedded on to a holy leaf intertwined with pure gold. It was started around the 1st century and added on to during the following 3 centuries. The altar piece was saved from Napoleon’s invasion when a parishioner proactively stole it and hid it   in his home until it was safe to move it back. (1)(2)(4)  
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Horses of St. Mark’s The massive  and beautiful Friesian Horses were a favorite of medieval Kings. Their  powerful bodies were the inspiration for the Horses of St. Marks cast in the 4th century by a Greek sculptor, Lysippos.  They are also one of the most frequently stolen pieces of art in history. It has been rumored their bold collars were added to cover up the lines where their heads were severed for ease of smuggling by ship when taken from Constantinople in 1204.  They  were stolen again when Napoleon conquered Venice in 1797 but were returned  to St. Mark’s Basilica in 1815.  The horses at the entrance to St. Mark’s Basilica today are replicas, the real ones heavily protected inside the church. (1)(3)(4)

 

 

 

The Bell Tower, The Watch Tower and The Doge’s Palace

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Close up picture of the statues a top  the Clock Tower. Dubbed “The Moors”, because of its dark reflection off the bronze patina.(1)
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The St. Marco Campanile is the bell tower of St. Mark’s Cathedral. It is a stand alone edifice and the most recognizable in the city. It is 323 ft tall with a fluted brick square base; 39 ft wide each side and 160 ft tall. Perched a top the shaft is the loggia which surrounds the belfry. The belfry houses the five bells that ringed gloriously each day. The belfry is topped by a cube with the alternating faces of St. Mark and the female image of justice. The tower is then capped by a pyramidal spire, and that is topped by a golden weathervane in the form of the archangel Gabriel. This picture is of its present form since its inception in the 15th century but was finally reconstructed in 1912 after it’s total collapse in 1902.(1)

 

 

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The Clock Tower on St. Mark’s Square-started in 1496 and finished in 1497 . The top of the tower’s terrace is adorned with two large statues; one old and one young. And the bell is the original one created by Simeone who cast it in 1497. This gigantic clock facing the lagoon ,was a way of “putting on notice to the world of the wealth and glory that was Venice”.(1)
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The Palazzo Ducale or better known as The Doge’s Palace.

The Palazzo Ducale was the home to the doges of Venice and the nerve center of the entire Venetian empire.  The Palace was treated like the icon it became, and decorated by the greatest Venetian artists; money and prestige, its foundation.   Since the doge was the figure-head of the Republic and elected for life he, like the kings of past, held court to the world in his palace.  It had to be palatial and befitting to his station and Renaissance Venice. (1)(2)(4)

The Palazzo was built-in Venetian Gothic style and is the greatest and most ostentatious example of it in the world, remaining true to the original design, no matter how many times it burned or was ransacked.  Not only did the Palace house the Doge’s apartments ad meeting rooms of the government and city courtrooms but also its jail. It wasn’t until the 15th century when a new prison was built outside of the palace.   The Bridge of Sighs  in the 17th century was built to connect once again the prison to the Palace.  The empty space vacated by the original jail was quickly converted into a picturesque courtyard. (1)(5)

However, by the end of the 19th century The Doge’s Palace had fallen into such disrepair that the government offices were moved to another location and the palace was totally refurbished into the breath-taking museum  it is today. (1)(2)

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The Golden Staircase or Scala d’Oro, led to the Doge’s apartment and government offices. It is a lavishly gilded stucco ceiling. The staircase was started in 1530 and completed by 1550.
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One of the statues by the famed gothic sculptor and architect,Fallippo Calendario ,who helped designed the voluptuous arcade of Doge’s Palace.
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Elaborate Ceiling of the Palace’s inner sanctum. Unbelievable workmanship, design and use of gold.

 

 

 

 

 

 

 

 

After eight hours of non-stop sight-seeing, it’s time for some relaxation and sustenance at the Antochi Caramane, a popular Italian Restaurant near the Rialto Bridge.  It’s been a wonderful day; one that dreams are made of.

 

**I have not actually been to Venice, but have studied, planned and sought out expert advice, exclusively for my trip to Venice and Switzerland next summer.  I first fell in love with the idea of going to Venice when I visited Rome many years ago, but after reading Don Brown’s book, Inferno, it became a passion .  Fortunately, now that my husband and I are “officially retired”, we can afford the time and financial sacrifice needed to embrace the most beautiful city in the world, my Precious Jewel of the Lagoon.  We’ll also being visiting Switzerland; the Martig’s ancestral play ground and the subject of my next post.

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Switzerland, here we come!

 

***All pictures are from Google Images.  All videos are from YouTube. 

(1)http://https://www.wikipedia.org/

(2)Jonathan Buckley, Pocket Rough Guide: Venice, (e-book edition)

(3) Tom Brown, Inferno, (e-book edition), 380-397

(4)www.tripadvisor.com/Tourism-g187870-Venice_Venet..

(5)http://www.aviewoncities.com/venice/bridgeofsighs.

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